"What is Cineblax" Revisited

If you review the first post of this blog, you will find an amazing little trailer shot with a DVX100 and no depth of field adapters. Here is another great example of DYI film making and the heart of why "Cineblax" was establishished. This movie was also shot on a DVX100 by 2 brothers.
From DYI Footage:
"Shiro's Head" is an absolutely remarkable achievement with the DVX100. This DIY movie was produced, written and directed by brothers Don and Kel Muna. It was shot on location on the island of Guam USA in the Pacific.http://vimeo.com/2114783

The depth of field looks unbelievable for a first-generation DVX100. FIRST GENERATION! It's not even a DVX100A! According to an email from the Muna Bros., there were no 35 adapters used. They used the stock DVX lens and for a couple of shots used a homemade wide-angle lens. They shot the feature length movie for - get this - $6,000 (and that was mostly for living expenses). They made all of their big production equipment DIY-style. The homemade dolly track and fig rig were made from PVC pipes. The homemade camera jib was made out of aluminum tubing. Just brilliant.

According to the "Shiro's Head" official website, they've been officially selected by the Louis Vuitton Hawaii International Film Festival as well as the 1st Philadelphia Asian American Film Festival and has had multiple sold-out shows in Guam and in Hawaii.

It's an amazing feat that was pulled off a la "Robert Rodriguez" style using just the resources they had, travelling thousands of miles on space-available flights to shoot on location, borrowing props, vehicles and establishements for the look of a big-budget production. All characters in "Shiro's Head" are non-actors and were casted "off the streets". After more research, I discovered that this was actually Guam's first ever feature-length film made strictly by their indigenous islanders.
It's a new age for the Indie Fim Maker and Cineblax is here to say "The Game is Changing". Look out old boys Hollywood Network!

Pro Video In the Palm of Your Hand

The GY-HM100 comes equipped with an integrated high-definition Fujinon 10:1 lens that allows for manual and automatic control of focus and aperture. The lens features three aspherical elements and a new Electronic Beam Coating that greatly reduces degradation caused by reflection off the lens surfaces. A flip-in cover is integrated into the lens hood, eliminating the need for an external cap. With the addition of JVC’s patented Focus Assist, achieving precise focus is fast and easy. The macro mode and user-adjustable depth of field supplement the wide array of manual controls available. From the The Luminous Landscape
A cool film blog...the praise is quite good.......

The JVC GY HM100 is currently the smallest and lightest "semi-pro" quality camcorder avalable. It is selling for about US $3,500. Announced in January, 2009 the HM100 became available in most markets in May. Hardly bigger than the larger consumer camcorders with built-in hard drives, it weighs just over 3lbs. From a size perspective, it needs to be noted that the carry-handle with attached shotgun mike and mixing panel is completely removable (as will be discussed shortly), making the HM100 a very low profile camera. Early reports are that this camera is quickly becoming appealing to pros needing the smallest and least conspicuous camera possible for discreet location work and for use as a "B" cam.

But, in addition to that constituency I believe that JVC has targeted the HM 100 at users who are relative newcomers to video making, yet who want near-broadcast-quality images combined with ease of use at an affordable price.

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Features and Foibles

Of particular note is that this is the first video camera to shoot directly to Apple's QuickTime movie format (.MOV). JVC has licensed the format from Apple and has also licensed the Sony XDCAM EX codec from Sony. Thus, shooting XDCAM EX wrapped in a .MOV envelope, all one needs to do is drag files off the card directly onto the Final Cut time line. No transcoding, no rendering, no format conversion. This is a first, and JVC is to be loudly applauded for it.

Parenthetically, JVC used to be part of the Panasonic family of companies, but separated to become completely independent last year. This type of cross-licensing activity clearly shows that JVC intends on now marching to the beat of its own drummer rather than that of its previous corporate parent.

If you are not a Mac user editing with Final Cut Pro (that doesn't make you a bad person) then you can choose to shoot to the MP4 codec for editing on any Mac or Windows PC with other non-linear editing software, such as Adobe Premiere or Sony's Vegas. These editing packages will see the JVC's files as XDCAM EX, just as if they'd come from a Sony EX1 or EX3 camera. How cool is that!?
If you have the CAKE for this little baby, BUY IT!
Jarvy'